
Film
Development · Production · IP
Original African stories developed as ownable intellectual property, not as promotional content.
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The Group
A modern entertainment holding company connecting African creativity with global business.
11
Operating divisions
2
Continents — Nigeria & United States
15
Tracks on Rebirth
1
Standard across all of it
The Premise
Most artist companies grow outward from a hit record. This one grew outward from a balance sheet — which is why it holds eleven operating arms instead of a merchandise line.
01
Masters, formats, compositions and film IP are held inside the group wherever the deal allows it. Distribution can be rented. Ownership cannot.
02
A signing gets the studio, the visual team, the television slot and the live business on day one. The divisions are separate for accounting, not for effort.
03
The catalogue funds the platform, the platform carries the stories, and the stories go back to the communities they came from. The Foundation is not a department. It is the point.
The Register
Four carry pages of their own. The rest are read here and route straight to the desk that answers for them.
Go Deeper

Development · Production · IP
Original African stories developed as ownable intellectual property, not as promotional content.
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Festivals · Tours · Experiences
Live properties the group owns outright — from headline festival bills to the experiences that follow them.
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Signing · Development · Career strategy
Artist management built by someone who ran companies before he ran a career.
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Life Is Us · Dignity · Youth
Life Is Us Foundation — the part of the group that is not required to return a profit.
Enter →“Legacy is not inherited. It is lived.”Don Crucifixto
Work With The Group
Investment proposals, brand partnerships, distribution, licensing and co-production — one route in, routed to the division that owns it.